Showing posts with label Carolyn Anderson. Show all posts
Showing posts with label Carolyn Anderson. Show all posts

Monday, February 8, 2016

Developing your own style

February 8, 2016

When I painted these tulips today I was thinking about how there are little pieces of things I have learned from taking workshops, looking at DVD's,  and studying online blogs. 

These are things I was thinking about today and yesterday doing these two paintings: 

Robert Johnson - put a brush stroke down once and leave it alone  (scrape it off if it looks wrong and start again rather than messing around with it on the canvas.

Qiang Huang - just watched his new DVD which is terrific.  I like the brushes he uses, too.  Qualita from Jerry's Artarama.  Awhile ago I bought the 1-inch angular one that is very versatile.  I recommend his DVD.  Great info about value and basics of oil painting!

Nancy Franke - starts on a white canvas but retains her darks so well.  Use big brushes.

Dreama Tolle Perry - having a transparent dark underneath to help retain the darks.  Use color like confetti.

Every teacher I have ever had emphasizes darks and artists I have studied online also do this.

Carolyn Anderson - don't paint up to the lines (from original drawing), but over the line and inside the line.  She is a great person to study regarding edges.  Think of shapes, not lines. 

Somewhere I read that using red, yellow and blue in the background gives it luminosity.  There is also a lot written about pulling colors of the painting into the background.  Color is in the air.






Monday, October 26, 2015

Lost Edges

EDGES

I am always looking for insights from other artists about edges.  Whenever I feel that I am not thinking about them enough in my paintings I re-read the articles I can find by Carolyn Anderson.  A lot of them are posted on her website.  Here is a link: http://www.carolynanderson.com/articles.htm

There is a artist profile about Carolyn Anderson in the Feb-Mar 2015 Plein Air Magazine. 

The last three pumpkin paintings I have done were efforts to remind myself about hard edges, soft edges and lost edges. 

It looks like I paint a lot of pumpkins.   All of the pumpkins are from Snead's Farm, a place in Fredericksburg that I love and one pumpkin was picked by my granddaughter Hannah, painted in two of the paintings.  Both very good reasons to paint pumpkins.

Carolyn Anderson was also interviewed on a radio show.  I'm pretty sure it was "Artists Helping Artists".


Sharp edges here and soft ones in the background and shadow side.
 Especially soft edges on the shadow side.


 
This one has hard, soft and lost edges plus use of the palette knife.